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Cabaret Hostess Audition Show "LAST CALL" Hits 1 Billion Views in 4 Months

The show's rapid viewership growth reflects a shift in how young Japanese women view cabaret hostesses-as content creators and entrepreneurs rather than nightlife workers-and demonstrates that a niche audition format can reach mainstream scale on YouTube.

Key Facts

  • "LAST CALL" surpassed 1 billion cumulative views across its main channel and related videos within four months of its January 4, 2026 launch.
  • The main channel averages 9 to 11 million monthly views, while total monthly views including clips reach up to 300 million.
  • About 75% of the show's viewers are women, with the core audience being women in their 20s and 30s.
  • The show is produced by Masato Ochi, hosted by Yuji Mizoguchi and Roland, and judged by 18 active and former top cabaret hostesses.
  • The program is filmed at Fuji TV studios and aims to discover new cabaret hostess talent while updating public perception of night work.

Reporting from 1 source: ASCII.jp.

Cabaret Hostess Audition Show "LAST CALL" Hits 1 Billion Views in 4 Months

The Japanese cabaret hostess audition program "LAST CALL" has surpassed 1 billion cumulative views across its main channel and related videos since launching on January 4, 2026. The show averages 9 to 11 million monthly views on its main channel alone and up to 300 million monthly views including clips. About 75% of viewers are women, with the core audience being women in their 20s and 30s.

"LAST CALL" launched on YouTube on January 4, 2026, and its main channel has already reached about 490,000 subscribers. The main channel alone consistently logs 9 to 11 million monthly views, and when clip channels and related videos are included, monthly views peak above 300 million. The program's producer is Masato Ochi, known for earlier reality shows like "School e Ikou!" and "Gachinko!" MCs are Yuji Mizoguchi and Roland. Eighteen active and former top cabaret hostesses serve as judges. The show is filmed at Fuji TV studios and aims to discover new cabaret hostess talent while updating public perception of night work.

Synthesized by Yomimono from the 1 cited source below, including Japanese-language reporting where cited, then editorially reviewed before publishing.

Sources