Kaya is a musician who performs the opening theme for the upcoming anime The Oblivious Saint Can't Contain Her Power, which premieres June 30.
Kaya is the performer of the opening theme song for the television anime adaptation of the light novel series The Oblivious Saint Can't Contain Her Power. The song is titled "Windmaker." The anime premieres on AT-X on June 30. The theme song details were announced alongside the release of the anime's third promotional video.
Kaya is not otherwise mentioned in the other stories in this cluster. The other stories cover different anime projects, including The Insipid Prince's Furtive Grab for The Throne, Babies of Bread, Stranger Than Heaven, and Victoria of Many Faces, as well as a review of the anime Kaya-chan Isn't Scary, which is a separate work with a different title and no connection to the musician Kaya.
Synthesized by Yomimono from the cited Yomimono stories below, each itself sourced, then editorially reviewed. Every fact links the story it came from.
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The Red River television anime has added Minami Takayama as Yuri's mother and Kazuhiko Inoue as her father. Both actors previously voiced the protagonist Yuri and co-lead Kail in a drama CD for the manga. The anime premiered on NTV and BS NTV on July 7-8 and streams on Crunchyroll.
The upcoming television anime adaptation of the light novel series The Oblivious Saint Can't Contain Her Power released its third promotional video, announcing additional staff members and the theme song performers. Kaya performs the opening theme "Windmaker," while Utahime Dream All Stars performs the ending theme "Unknown Me." The anime premieres on AT-X on June 30.
The TV anime "The Unaware Saint She Continues to Unconsciously Leak Power Today" released its third promotional video, revealing the opening theme "Windmaker" by Kaya and the ending theme "Unknown Me" by Utahime Dream All Stars. The anime begins broadcasting on June 30.
The anime adaptation of Tanba and Yuunagi's light novel series The Insipid Prince's Furtive Grab for The Throne has cast Yoshitsugu Matsuoka as Traugott Lakes Adler and Ai Kayano as Mitsuba. The series premieres July 6 on Tokyo MX and other Japanese networks, with Crunchyroll streaming it internationally.
The stop-motion TV anime based on CHOCOLATE Inc.'s CG short Babies of Bread revealed its cast, composed mostly of comedians, in a new promotional video. The series premieres July 4 on KTV, Fuji TV, and affiliates. Haruka Ichikawa returns to direct, write, and plan at CHOCOLATE Inc. with dwarf studios.
RGG Studio head Masayoshi Yokoyama posted a video clarifying that Takaya Kuroda, who voices Takeo Godai in the upcoming Stranger Than Heaven, did not undergo face capture. Kuroda denied having his face scanned, joking that he has a softer face. The game is set for release on January 15, 2027.
The television anime adaptation of Syuu and Nanna Fujimi's light novel series Victoria of Many Faces will premiere on July 7 on TV Tokyo and its affiliates. A short promotional video was released alongside the announcement. The series stars Chika Anzai as Victoria and is directed by Nobukage Kimura at Studio DEEN.
Anime Feminist reviewed the first episode of "Kaya-chan Isn't Scary," a new anime about a kindergarten teacher named Chie who discovers her sullen student Kaya can punch ghosts. The review praises the show for presenting Kaya as a "certified Weird Little Girl," a character whose strange behavior makes sense to her but not to adults, and who is reluctant to discuss ghosts due to past disbelief. The reviewer notes that Chie is portrayed as a responsible teacher working hard to support her student, grounding the supernatural elements. However, the episode has a notable flaw: loud distortion effects that accompany most hauntings, which the reviewer says betray a lack of confidence in the visuals. The episode ends with a dramatic reveal that Kaya's mother may be possessed by a spirit even Kaya cannot fight, a development the reviewer calls a potentially potent metaphor. The review concludes that the show's jokes land in the "sensible chuckle" range and that the emotional base is solid, but the off-putting sound effects may determine whether viewers continue watching.